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Accolay, Jean-Baptiste - Concerto No 1 in A Minor - Violin and Piano - Bärenreiter
Jean Baptiste Accolay’s Concerto in A minor is a frequent teaching tool in violin classes. Its usefulness lies in its expressiveness, which is created by the simplest technical means.
The series Bärenreiter’s Easy Concertos is edited by Kurt Sassmannshaus , the internationally-renowned violin teacher and co-author of the Sassmannshaus violin school tradition.
His forewords introduce these little gems and include tips for successful first concerts. The editions form an ideal continuation of the Sassmannshaus violin school tradition; they can be used in parallel from the third volume onward or alongside any violin method. The editions contain a solo violin part and a piano reduction for the accompanist.
The series will be continued and will introduce the student to more demanding repertoire with an increasing level of difficulty.
The series Bärenreiter’s Easy Concertos is edited by Kurt Sassmannshaus , the internationally-renowned violin teacher and co-author of the Sassmannshaus violin school tradition.
His forewords introduce these little gems and include tips for successful first concerts. The editions form an ideal continuation of the Sassmannshaus violin school tradition; they can be used in parallel from the third volume onward or alongside any violin method. The editions contain a solo violin part and a piano reduction for the accompanist.
The series will be continued and will introduce the student to more demanding repertoire with an increasing level of difficulty.
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Original: $16.45
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Accolay, Jean-Baptiste - Concerto No 1 in A Minor - Violin and Piano - Bärenreiter
Jean Baptiste Accolay’s Concerto in A minor is a frequent teaching tool in violin classes. Its usefulness lies in its expressiveness, which is created by the simplest technical means.
The series Bärenreiter’s Easy Concertos is edited by Kurt Sassmannshaus , the internationally-renowned violin teacher and co-author of the Sassmannshaus violin school tradition.
His forewords introduce these little gems and include tips for successful first concerts. The editions form an ideal continuation of the Sassmannshaus violin school tradition; they can be used in parallel from the third volume onward or alongside any violin method. The editions contain a solo violin part and a piano reduction for the accompanist.
The series will be continued and will introduce the student to more demanding repertoire with an increasing level of difficulty.
The series Bärenreiter’s Easy Concertos is edited by Kurt Sassmannshaus , the internationally-renowned violin teacher and co-author of the Sassmannshaus violin school tradition.
His forewords introduce these little gems and include tips for successful first concerts. The editions form an ideal continuation of the Sassmannshaus violin school tradition; they can be used in parallel from the third volume onward or alongside any violin method. The editions contain a solo violin part and a piano reduction for the accompanist.
The series will be continued and will introduce the student to more demanding repertoire with an increasing level of difficulty.
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Jean Baptiste Accolay’s Concerto in A minor is a frequent teaching tool in violin classes. Its usefulness lies in its expressiveness, which is created by the simplest technical means.
The series Bärenreiter’s Easy Concertos is edited by Kurt Sassmannshaus , the internationally-renowned violin teacher and co-author of the Sassmannshaus violin school tradition.
His forewords introduce these little gems and include tips for successful first concerts. The editions form an ideal continuation of the Sassmannshaus violin school tradition; they can be used in parallel from the third volume onward or alongside any violin method. The editions contain a solo violin part and a piano reduction for the accompanist.
The series will be continued and will introduce the student to more demanding repertoire with an increasing level of difficulty.
The series Bärenreiter’s Easy Concertos is edited by Kurt Sassmannshaus , the internationally-renowned violin teacher and co-author of the Sassmannshaus violin school tradition.
His forewords introduce these little gems and include tips for successful first concerts. The editions form an ideal continuation of the Sassmannshaus violin school tradition; they can be used in parallel from the third volume onward or alongside any violin method. The editions contain a solo violin part and a piano reduction for the accompanist.
The series will be continued and will introduce the student to more demanding repertoire with an increasing level of difficulty.
