
Paul Knorr Violin, Markneukirchen, 1961 w/Certificate
Paul Knorr
Markneukirchen
Anno 1961
Branded Below Label:
P. * K.
Back Length: 357mm
Upper Bout: 166mm
Center Bout: 113mm
Lower Bout: 208mm
Stop Length: 196mm
Vibrating String Length: 328mm
Accompanied by a certificate of authenticity from Rainer W. Leonhardt of Mittenwald.
Paul Knorr, born in 1882, studied violinmaking with Dolling. Working in Berlin and Breslau, he established himself in the Markneukirchen workshop of F & R Enders in 1918. Starting in 1921, Knorr became and independent maker. Attaining mastery of his craft, Knorr was highly respected for wood and material selection. He was also adept at following the patterns, approach, and varnishing techniques of the Cremonese masters.
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Paul Knorr Violin, Markneukirchen, 1961 w/Certificate
Paul Knorr
Markneukirchen
Anno 1961
Branded Below Label:
P. * K.
Back Length: 357mm
Upper Bout: 166mm
Center Bout: 113mm
Lower Bout: 208mm
Stop Length: 196mm
Vibrating String Length: 328mm
Accompanied by a certificate of authenticity from Rainer W. Leonhardt of Mittenwald.
Paul Knorr, born in 1882, studied violinmaking with Dolling. Working in Berlin and Breslau, he established himself in the Markneukirchen workshop of F & R Enders in 1918. Starting in 1921, Knorr became and independent maker. Attaining mastery of his craft, Knorr was highly respected for wood and material selection. He was also adept at following the patterns, approach, and varnishing techniques of the Cremonese masters.
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Description
Paul Knorr
Markneukirchen
Anno 1961
Branded Below Label:
P. * K.
Back Length: 357mm
Upper Bout: 166mm
Center Bout: 113mm
Lower Bout: 208mm
Stop Length: 196mm
Vibrating String Length: 328mm
Accompanied by a certificate of authenticity from Rainer W. Leonhardt of Mittenwald.
Paul Knorr, born in 1882, studied violinmaking with Dolling. Working in Berlin and Breslau, he established himself in the Markneukirchen workshop of F & R Enders in 1918. Starting in 1921, Knorr became and independent maker. Attaining mastery of his craft, Knorr was highly respected for wood and material selection. He was also adept at following the patterns, approach, and varnishing techniques of the Cremonese masters.























